Description
The practice of reusing materials reinterprets meaning in the present; fragments of texture, color, and line converge as if remnants of past structures reassembled into new form. Layers of paint and texture echo the erosion of time—suggesting landscapes both built and broken—while bold lines cut through the surface like boundaries, thresholds, or fault lines.
The act of crossing, separating, or dividing becomes central here: the white lines float with precision over turbulent grounds, holding tension between order and chaos, fragility and permanence. The lines can be seen as self within the larger environment. What has been fractured is not erased but reconfigured, reminding us that rupture and continuity coexist.
We contemplate how histories—personal, cultural, material—leave traces that never fully disappear. Like architectural fragments embedded into new walls, the visual residue of earlier gestures remains visible, creating dialogue between past and present. In this space of layering and reuse, meaning is not fixed but negotiated, lines that are at once markers of separation and invitations to connection.
