Description
At my first printmaking residency at Pilchuck Glass School, I began with tree imagery, comparing the changing light of day with seasons of life, which turned into an exploration of invisible structures linking the trees with life itself. The entire series was a riff on color.
When I began my second printmaking residency a few months later at Kala, the world’s events became bleaker and bleaker. Black made an unexpected appearance, filling in random shapes in the pattern, highlighting the structure in an uncontrolled way.
